Daniel Arrieta    Department   Kyoto University of Foreign Studies  Department of Hispanic Studies, Faculty of Foreign Studies    Position   Associate Professor
Language	Spanish
Publication Date	2014/12
Type	Academic Paper
Title	Palimsest and Carnavalization: Marcel Camus' Black Orpheus
Contribution Type	Single author
Journal Type	Another Country
Publisher	Complutense University of Madrid
Volume, Issue, Page	pp.131-142
Total page number	12
Details	Film director Marcel Camus’ Orfeu negro actualizes Orpheus’ classical myth and transplants it into Rio de Janeiro’s carnival in the 1950’s. Working on the interartistic connections between Virgil’s and Ovid’s narrative poems, on the one side, and the film, on the other, we use Gérard Genette’s theoretical concepts about hypertextuality to study the processes of formal and thematic transposition that lead to consider Orfeu negro as its classical hypotext’s parodie. The diegetic transformation visible in the movie generates amplification in the form of new characters, secondary stories and visual details for the city of Rio that also depict Brazilian customs. Carnival’s presence as a theme and its allegorical meaning will also be studied in relation to an implicit challenge to the establishment and to a more or less effective counterideology, both of which will be analyze using Mijail Bakhtin’s concept of carnivalization.